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CHAPTER VIII UP CHAPTER X CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla s orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow-- that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne s dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year s blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremu- lous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I ve been hearing some surprising things about you and Matthew." "I don t suppose you are any more surprised than I am myself," said Marilla. "I m getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn t you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She s a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel s expression. "It s a great responsibility you ve taken on yourself," said that lady gloomily, "especially when you ve never had any experience with children. You don t know much about her or her real disposition, I suppose, and there s no guessing how a child like that will turn out. But I don t want to discourage you I m sure, Marilla." "I m not feeling discouraged," was Marilla s dry response. "when I make up my mind to do a thing it stays made up. I suppose you d like to see Anne. I ll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn t pick you for your looks, that s sure and certain," was Mrs. Rachel Lynde s emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She s terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I m freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn t a spark of imagination in you? I don t care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas intoxicated husband. And I ll NEVER forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don t envy you your job bringing THAT up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn t have twitted her about her looks, Rachel." "Marilla Cuthbert, you don t mean to say that you are upholding her in such a terrible display of temper as we ve just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I m not trying to excuse her. She s been very naughty and I ll have to give her a talking to about it. But we must make allowances for her. She s never been taught what is right. And you WERE too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I ll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I m not vexed--don t worry yourself. I m too sorry for you to leave any room for anger in my mind. You ll have your own troubles with that child. But if you ll take my advice--which I suppose you won t do, although I ve brought up ten children and buried two--you ll do that `talking to you mention with a fair- sized birch switch. I should think THAT would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you ll come down to see me often as usual. But you can t expect me to visit here again in a hurry, if I m liable to be flown at and insulted in such a fashion. It s something new in MY experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne s disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel s own children could have borne smarting testimony-- did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren t you ashamed of yourself?" "She hadn t any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn t any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you-- thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I m sure I don t know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there s such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can t help hoping other people don t quite think it is. I suppose you think I have an awful temper, but I couldn t help it. When she said those things something just rose right up in me and choked me. I HAD to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she ll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don t say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We re not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they re rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you ll stay here in your room until you can tell me you re willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can t tell Mrs. Lynde I m sorry I said those things to her. How can I? I m NOT sorry. I m sorry I ve vexed you; but I m GLAD I told her just what I did. It was a great satisfaction. I can t say I m sorry when I m not, can I? I can t even IMAGINE I m sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You ll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn t seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne s stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel s dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER VIII UP CHAPTER X 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 34 (Tue)
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Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-RealEstate-General? Subjects-Science-Nature&Ecology-NaturalResources-General? Fish Wiley-VCH? Thomas Braunbeck? Wilfried Hanke? Helmut Segner? Wiley-VCH? ThomasBraunbeck? WilfriedHanke? HelmutSegner? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-French? Subjects-Outdoors&Nature-Fauna-Fish&Sharks? Subjects-Outdoors&Nature-FieldGuides-Fish? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-Nature&Ecology-Animals-Fish&Sharks? Subjects-Science-Nature&Ecology-FieldGuides-Fish? Heavy Metals in Wastewater and Sludge Treatment Processes CRC Press Inc? J.N. Lester? CRCPressInc? 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ATTO II (Ricevimento in casa della principessa Fedora Romazoff a Parigi. Un arcata, sorretta da snelle colonne, divide il Salone propriamente detto dall antisala, che serve da sfogatoio. Nel fondo si scorge l entrata d una serra a cristalli ricca di piante rare. Di là dall arcata, sopra un rialzo un pianoforte a coda intorno molte poltroncine. Quando si alza il sipario, vediamo che il ricevimento è in pieno svolgimento. Fedora dirige il servizio del thé, assistita dal conte Loris Ipanoff) OLGA (presentando Boleslao Lazinski agli invitati. È un bellissimo dammeno dai capelli biondi alla Liszt, ed è ovvio che sta facendo la corte ad Olga per raggiungere i propri fini. Lei è una farfalla madonna, che si prefigge il piacere come unico scopo della vita.) Signori, vi presento Lazinski. Basta il nome nevvero? (a Lazinski) Il dottor Boroff... Il barone Rouvel... ROUVEL (ironico) Felice! BOROFF (scientemente) Lusingato! OLGA Un esule, sapete. ROUVEL, BOROFF Come voi? OLGA Come me. Vedete, la politica é la mia passione. BOROFF (assecondandola) Davvero? OLGA (con entusiasmo) Come é bello il cospirar! ROUVEL (celiando) Vi cercano. OLGA (Infervorandosi) V ascondete. BOROFF (celiando) Vi arrestano. OLGA Fuggite. ROUVEL E vi ripigliano! (Tutti ridono.) FEDORA (tendendo la mano a De Siriex) Oh! II signor de Siriex.. . (a Loris con un sorriso) Vecchi amici di Russia. (a De Siriex) Ed ecco uno recente... Il conte Loris Ipanoff... (a Loris) II signor de Siriex, segretario degli Esteri. (De Siriex esce al sentir nominare Ipanoff, ma si riprende subito mentre Fedora gli offre una tazza di thé.) BOROFF Loris... (conduce Loris alla sinistra in modo che possono parlare in privato) LORIS Che vuoi? DE SIRIEX (a Fedora, con riferimento a Loris) Egli è qui? FEDORA Lo tengo. DE SIRIEX Come faceste? FEDORA Semplicemente. (A questo punto, le due conversazioni cominciano a sovrapposi musicalmente.) So ch è a Parigi; lo cerco, lo spio, lo adesco, l inebrio... BOROFF (a Loris, gravemente) Giurato avevi di non riporre piedi qui dentro. LORIS La cortesia! DE SIRIEX Ed egli? FEDORA E innamorato! Ignoto a tutti. BOROFF Mio Loris, del fulgido sguardo diffida. DE SIRIEX E il suo delitto? FEDORA Ignoto a tutti... (Le due conversazioni distinte - L una tra Fedora e De Siriex, l altra tra Loris e Boroff- procedono in questo brano concertato; tra poco vi si unisce una terza conversazione tra Olga e il Barone Rouvel) DE SIRIEX (a Fedora) Ed ora? LORIS (appassionatamente. A Boroff) L amo.. . FEDORA (A De Siriex) Aspetto... DE SIRIEX (a Fedora) Che mai? FEDORA (A De Siriex) La prova. DE SIRIEX (a Fedora) Come? BOROFF (A Loris) Questa notte io parto... Pensa a tua madre! FEDORA (A De Siriex) Dalla sua bocca. Oh! se lo fosse! Non l odio quanto dovrei... LORIS (A Boroff) L amo, l amo! DE SIRIEX (a Fedora) E se innocente? ROUVEL (ad Olga) Non comprendo... OLGA (spensieratamente. A Rouvel) Lo sono il capriccio leggiero, veloce, che invidia le rondini, e ignora il perché! DE SIRIEX (a Fedora) L amate? FEDORA (A De Siriex) Forse! BOROFF (A Loris) Sei vinto! Ti assista il ciel! DE SIRIEX (a Fedora) Se parla? FEDORA (A De Siriex) Senza pietà! LORIS (a Boroff) Forte io son! ROUVEL (ad Olga) Il vostro cuor. (Fedora e De Siriex risalgono parlando sempre.) OLGA (continuando a civettare con Rouvel) Lo son, io son lo sbadiglio molesto, tenace, che dissipa il bacio, che uccide la gioia, e ignora il perché! ROUVEL Voi siete un bisticcio! (galantemente a Fedora) Principessa, ci fate languir! FEDORA (sorridendo gravosamente) Ognuno porta la sua Croce. (toccandosi quella bizantina che le pende sol petto) Vedete, anch io! ROUVEL É un talismano? FEDORA (facendosi seria subitamente e indicando col dito un piccolo scompartimento nel ciondolo) In quest antica Croce, era una pia reliquia; io vi riposi un farmaco, che sana ogni malor... LORIS (con intenzione) Per voi o per gli amici? FEDORA (Sorridendo) Chi lo sa! LORIS (con un inchino) Grazie. ROUVEL, DE SIRIEX, BOROFF (ridendo) Grazie. OLGA (presentandolo a Fedora) Vi presento Lazinski, il maestro polacco, nipote e successore di Chopin... un poeta del pianoforte, un principe del sentimento, un mago... FEDORA (interrompendo Olga con un saluto a Boleslao) Vi applaudirem stasera? OLGA (con entusiasmo) Naturalmente! FEDORA Bene! (Mentre si allontanano Fedora e Loris, De Siriex e Boleslao offrono entrambi il braccio ad Olga, la quale, dopo alquante moine, si decide per quello di Boleslao) DE SIRIEX (tra l offeso e il galante, ad Olga, che si discosta a braccio di Boleslao) Cosacca! OLGA (attirando l attenzione degli invitati maschi allo scopo di fare una scenata) Miei signori, venite... M hanno offesa! ROUVEL (comicamente) Chi mai? BOROFF (comicamente) Chi mai? CORO Chi mai? OLGA II signor de Siriex. ROUVEL, BOROFF, CORO (con stupore) Lui? DE SIRIEX (piegandosi come un colpevole) lo stesso. OLGA (sempre comicamente) Osò chiamarmi cosacca! Ma perché? ROUVEL, BOROFF, CORO (sempre comicamente, a De Siriex) Risponda il reo! Risponda! DE SIRIEX (con motteggievo le eleganza, canta una canzone russa) La donna russa è femmina due volte, doppiamente adorabile ed ostil.. . Essa é la vera donna, d Eva la figlia vera, con le dolcezze e gl impeti, le audacie e le viltà, l ali e gli artigli, l estasi e le frodi, pronta a immolarsi e facile a tradir. Tutto il suo sesso è in lei, tutto l esser umano un altare, un abisso, un mistero! Angelo e serpe, zingara e regina, sol d oriente e gelo boreal! Ecco la donna russa, con le dolcezze e gl impeti, le audacie e le viltà, pronta a immolarsi e facile a tradir! Ecco la donna russa, (con un inchino galante ad Olga) ed ecco l ideal! BOROFF (a De Siriex) Il ritratto è preciso. ROUVEL (a De Siriex) Benché non troppo gaio... OLGA Evvia! Eccone un altro più somigliante ancor. Il Parigino é come il vino, il vino della vedova, la Vedova Clicquot. Fragrante e perfido, giocondo e gelido, ci fa girar la testa ed i garretti; ma il cuor? Il cuore? Ohibò! Acido e zucchero, vapore e spirito, ribolle, balza, crepita, gorgoglia, freme, e poi? e poi? passò! Farmaco biondo, tossico blando, fa troppo vano strepito, fa troppa spuma... perché? perché? Non so... Svanito il fumo, spenta l ebbrezza, resta il tedio, e l emicrania. Adunque? Dunque? Buon pro! II Parigino é come il vino della Vedova Clicquot! BOROFF Brava, Contessa! DE SIRIEX (inchinandosi) Toccato! ROUVEL (a Olga) Benissimo! OLGA (a Boleslao, investendolo quasi gelosamente) Finalmente! vi colgo... Con chi eravate? Cosa faceste? Rispondete! (Boleslao altro non fa che inchinarsi profondamente.) (Loris e Fedora rientrano dalla sinistra a braccetto. ella freddamente istigante, egli sempre più inebriato, parlando, passeggiano per l anticamera.) FEDORA Ma dunque, é amore? LORIS (con forza) Delirio. FEDORA (ironica) Che sperate? LORIS Tutto. FEDORA (fingendosi offesa) E s io t impedissi? LORIS Con qual dritto? FEDORA (insistendo nel fingere irritazione) Amarvi per forza or dunque dovrò? LORIS Amor ti vieta di non amar. La man tua lieve, che mi respinge, cerca la stretta della mia man; la tua pupilla esprime T amo! " se il labbro dice "Non t amerò!" BOROFF (rientrato dalla dritta, si accosta vivamente a Fedora e Loris, ed inchinandosi a Fedora) Principessa, se aveste ordini per la Russia... FEDORA Partite? BOROFF A mezzanotte. FEDORA Ed io domani. LORIS (con un grido soffocato) voi? BOROFF (a Fedora, inchinandosi) Ci rivedremo allora... FEDORA (porgendogli la destra) A Pietroburgo... BOROFF (dopo aver baciato la mano alla Principessa, a Loris tristemente, con un gesto di saluto) Addio! LORIS Addio! (a Fedora) Doman? FEDORA (con un sospiro subdolo) Lascio Parigi... LORIS Sciagurato! ed io seguirvi la non posso! FEDORA (come per consolarlo) Appena giunta, pregherò per voi perdono... LORIS Vana impresa! FEDORA (fissandolo intensamente) Perchè no? Che faceste? E cosa grave? LORIS (capo) Grave. FEDORA Dunque sei reo? LORIS No. FEDORA (con gioia) Innocente? LORIS D un delitto... (Fedora, ben decisa a carpire a Loris la verità, trovandosi presso il divanetto, con dolce violenza vi fa sedere Loris, e quindi siede al sul banco.) OLGA Principessa, Boleslao può cominciar? FEDORA (facendo con la mano un gesto di indifferenza, e non volendo essere disturbata) Cominci... (Lazinski si siede al pianoforte. Assicuratasi che non ci saranno altre interruzioni, Fedora si concentra sulla preda. Lei e Loris sono parzialmente nascosti olla vista degli altri invitati da un paravento ornamentale e un gruppo di palme in vaso.) FEDORA (sottovoce) Dimmi, dunque... Di ... che fu? LORIS (si guarda intorno per assicurarsi di non essere udito) Fu l accusa d aver teso un tranello a Vladimiro Andrejevich.. . FEDORA (rabbrividendo) E non corri a scolparti? LORIS Da suo padre? Contro tutti? FEDORA Se innocente sei davvero, crederà... (Lazinski comincia a suonare un notturno.) LORIS (tentennando il capo) Egli? (tutta questa scena a mezzavoce) FEDORA E tu qui propormi ardisci l amor tuo contaminato dal terribile sospetto... e il tuo nome... il turpe nome d un assassino! LORIS Innocente! FEDORA (con simulata passione) Prova, dunque, questa tua grande innocenza... e la gitta in taccia al mondo pel tuo onor, per l amor mio! (lo guarda con feroce ansietà affascinando Loris con la persona piegata e palpitante) Tu taci? Rispondi... rispondi! LORIS (con intensità) Fedora, m amate? FEDORA (affascinandolo sempre più) Si, t amo... t amo. Ma parla... parla. . . LORIS (dopo uno sforzo supremo, subito con voce spenta) Ebben... Si... l uccisi... FEDORA (sorgendo in piedi di scatto, inorridita) Eri tu? LORIS Fedora! FEDORA Assassino! (Nel salone tutti applaudiscono Lazinski, che a finito il notturno e é in procinto di iniziare il secondo brano.) LORIS T inganni! Tu ignori... FEDORA (sogghignando) Fu qualche disgrazia? LORIS Castigo! FEDORA Un agguato codardo? LORIS E che ne sai tu? FEDORA (fra sé) Nulla io so! (Loris si alza e manifesta chiaramente la propria intenzione di lasciare la festa.) Mi sfugge! (più forte) Ma dove ten vai? Vuoi, dunque, lasciarmi nel dubbio? LORIS (fermandosi, con grande tristezza) Che giova? Non m ami! T incuto ribrezzo! FEDORA (sforzandosi di sorridere) Rifletti... la prima sorpresa... LORIS (con un gesto disperato) Chiamarmi assassino potesti! FEDORA (accostandosi con mal repressa ripugnanza) Fu il grido del sangue. Ma poi, il cuore risponde chi sa? LORIS (con grande trasporto) Che sii benedetta! FEDORA (procurando di farlo un altra volta sedere) Ma dimmi... Perché l uccidesti? LORIS (resistendo) Parlare, in mezzo a una testa? Vo darti la prova... Domani... qui stesso... FEDORA (fermandolo) Stanotte! Rispondi... Verrai? LORIS Si, verrò... FEDORA (quasi amorosamente) Lo vedi! Non provo ribrezzo. LORIS (baciandole ardentemente la mano) Oh, grazie! Fra un ora? (s allontana rapidamente e scompare a sinistra. Fedora fa l atto di strapparsi rabbiosamente dalla mano l impronta del bacio) FEDORA (trucemente) Infame! Più non mi sfuggi! (Le signore circondano il concertista per complimentarlo) OLGA (con entusiasmo a una dama) Portentoso! ROUVEL (a De Siriex, astutamente) Strepitoso! DE SIRIEX (ridendo a Rouvel) Schiacciante! OLGA (giocondamente a Fedora) Si fanno quattro salti? FEDORA (distratta, e sempre intenta alla vendetta contra Loris) Veramente, è un po tardi. OLGA (chiedendo) Un altro giro? ROUVEL Il ballo è il cognac dell amor. (Olga prende il braccio di Lazinski, un generale offre Il suo a Fedora. Mentre le coppie si muovono verso la pista da ballo, un lacchè reca un dispaccio su d un vassoio a De Siriex, che lo apre in disparte e lo legge con crescente emozione.) DE SIRIEX (accostandosi rapidamente a Fedora) Principessa! Un dispaccio ufficiale. Vi consiglio di sospendere la festa. FEDORA (stupita) Perché? DE SIRIEX Un attentato! FEDORA Contro lo Czar? DE SIRIEX (porgendole il dispaccio) Leggete. FEDORA (leggendo) Quei maledetti! (il dispaccio passa di mano in mano. La costernazione si dipinge su tutti i volti.) DE SIRIEX (a Fedora, con intenzione baciandole la mano) I nichilisti! OLGA (prendendo il braccio di Boleslao, spensieratamente a Fedora) Che peccato! Il mio giro! FEDORA (quasi solennemente) Dio protegga lo Czar! (Gli invitati si congedano da Fedora. Molta confusione nel fondo. La Principessa stringe a tutti la mano. Le due sale si sfollano rapidamente. I servi spengono i lumi dei lampadar e dei doppieri. un cameriere tira un ampia cortina di velluto cupo tra le colonne che dividono l antisala dal gran salone, chiudendo così tutta l arcata. L antisala rimane illuminata da una lampada sola. Fedora ridiscende nell antisala, siede e resta pensosa. Ad un tratio si alza, apre la piccola scrivania Settecento e si mette a scrivere. Dopo essersi occupata per un po in questa maniera, si alza, va verso una porta al lato del salone, e chiama il detective russo.) FEDORA Gretch! (Egli compare sulla porta, e lei lo interroga nervosamente.) I vostri uomini? GRETCH (accennando all uscio donde è entrato) Sono là... FEDORA Bene! (ritorna alla scrivania, e ricomincia a scrivere) GRETCH (rispettosamente) Sempre ho seguito Loris Ipanoff. FEDORA (chiudendo la lettera) Dite! GRETCH (consultando il proprio taccuino) Stasera un uom sospetto, Giunto appena di Russia, gli recava una lettera del fratel Valeriano. FEDORA Il fratello? Anche lui! (riapre la lettera e vi aggiunge alcune parole) Valeriano... Null altro? GRETCH Nulla. FEDORA (chiude la lettera e la suggella) Ho la prova suprema... la confessione sua! GRETCH (meravigliato) Confessa il suo delitto? FEDORA Confessa! GRETCH Finalmente! FEDORA Egli sta per tornare. Voi scendete in giardino. Appena pronti, un segno! Io lo congederò. GRETCH E poscia? FEDORA (alteramente) Fate il vostro mestiere. Non un grido, non un singulto! GRETCH Abbiamo un bavaglio. FEDORA Alle foce della Senna vi attende la nave Elisabetta. È quello suolo russo. GRETCH Obbedirò, signora... O vivo o morto! FEDORA (porgendogli la lettera) Questa per l Ambasciata. Sia spedita all istante a Pietroburgo... GRETCH Forse al generale Jariskin? FEDORA D ogni cosa lo informo. GRETCH Sarà fatto, Eccellenza! FEDORA (in un sussurro improvviso) Silenzio... (va in fondo ad ascoltare) È lui! È lui! (a Gretch) Andate. (Gretch esce per dove è entrato. Come Loris compare all ingresso, Fedora, maestosamente in piedi vicino alla scrivania, gli punta contro un dito accusatore, e gli parla con il tono di chi siede in un tribunale.) FEDORA Loris Ipanoff, oggi lo Czar, nostro signore, venia atrocemente colpito, come un giorno Vladimiro Andrejevich, dai nichilisti... E voi siete di quelli! LORIS (stupito) lo? FEDORA Voi! LORIS È falso! FEDORA Ma perché l uccideste? LORIS (con fredda energia) Per una donna... FEDORA Una donna? LORIS La mia... FEDORA (soffocata dall emozione) La tua LORIS Mia moglie... FEDORA (smarrita) Dimmi tutto... LORIS (sedendo sul divanetto. Guardandolo quasi spaventata Fedora siede essa pure.) Mia madre, la mia vecchia madre, Solinga vive, Come in sogno di pace, Nel suo castel lontan. L ultimo april, vi accolse Una giovin lettrice, Una sirena bionda, Wanda era il nome suo fatal. FEDORA (soffocata) Wanda! LORIS Cedendo alle lusinghe, l amai beato. Ma la mia buona madre L ascosa vampa travide, e lunge volle l incantatrice. lo la raggiungo, l adduco al tempio, mia la proclamo davanti a Dio! M eran padrini due vecchi amici... FEDORA (interrompendolo) Vladimiro? LORIS Vladimiro. Nel segreto nostro asilo tanto assiduo egli si mostra che il sospetto m entra in core. (con crescente emozione) Un vespro, a Natale, partendo pel dolce castello paterno, sovvienmi d un dono promesso a mia madre. Risalgo in slitta, E ratto ritorno. A mezzo la via, Discesa dall uscio del nobile amico. ravviso la fante di Wanda. L inseguo. La donna vacilla, balbetta, confessa. Di Wanda un biglietto reco a Vladimiro, lo salgo egli è uscito. II servo mi lascia un istante. lo corro al tiretto e trovo... FEDORA (interrompendolo) La lettera infame? LORIS (continuando) Che dice "Ti attendo stasera, alle nove!" FEDORA (fissandolo quasi con spavento) lo mi domando ancora se chi mi parla sia l uomo più turpe o più infelice. LORIS (stupito) Come? FEDORA (con la voce piena di odio) Se tu mentissi? LORIS (alzandosi di scatto) Di me dubiti ancora? FEDORA Chi mi da la certezza? LORIS Lui stesso. FEDORA (incredula sempre) Vladimiro? LORIS Ecco la prova. (getta sulla tavola un pacco di lettere) Leggi! FEDORA (riconosce la scrittura di Vladimiro, legg) "Anima mia!" (fra sè, esterrefatta) La sua scrittura. (correndo con l occhio alla firma) "Vladimiro tuo che t adora" (guardando l acclusa fotografia da biglietto da visita) Il suo ritratto! Dunque è vero? LORIS (porgendole un altra lettera) Leggi! Ed era fidanzato! FEDORA (leggendo) Pensa alla mia fortuna" (fra sé) Alla fortuna sua! (prende la lettura) Colei che sposerò non sarà tua rivale la sola donna mia, sei tu, Wanda adorata!" (straccia la lettera) Vile! Vile! FEDORA, LORIS Vile! FEDORA (guardando il ritratto) Essere abbietto! Cuore di fango! (straccia il ritratto e se getta via i pezzi. poi, agitata fin quasi alla frenesia, fissa l attenzione su Loris.) Ed or narra il castigo... LORIS La fante mi svela l immondo ritrovo. All ora fissata vi penetro armato. Deserta è la prima stanzetta. Vi ascolto. Un onda di risa... Un onda di baci! FEDORA Avanti! LORIS II mio nome! Cieco di rabbia! Un urto alla porta e mi slancio. FEDORA (afferrando con le mani il tavolino) Avanti... avanti! LORIS Ella balza. lo l afferro, e l atterro. "Lascia quella donna" grida il vile. Mi rivolgo furibondo al vedermi armato ei s arma. Spara... al fianco mi ferisce... lo rispondo... ma l uccido. FEDORA (come un grido di gioia selvaggia) Ah! anche lei! LORIS (calmo) Ella fuggi... ma inferma cadde... langui... si spense. (fieramente) Ma chi m accusa? Chi dunque mi spia? Conosci tu gl infami? FEDORA (presto) Nulla io so! LORIS Vedi, io piango... ma, se piango, no, non è per la mia vita. A mia madre penso, e piango per il suo gran dolor. Non sarò nella mia casa a implorare il suo perdono, e quei dolci occhi morenti socchiuder non potrò! Vedi, io piango, ma, se piango, no, non è il piango mio viltà! FEDORA (dolcemente, con passione, tentando di consolarlo) Lascia che pianga io sola e pianga di vergogna pianga L infame accusa, pianga il profondo inganno. T avea creduto un vile schiavo dell odio altrui ed eri un forte, un nobile, un santo punitor. LORIS (sconsolatamente) Vana pietà! Vana pietà, se parti! lo patria e tetto e nome e madre più non ho! Vana, vana pietà! FEDORA Loris, non parto più, non parto più! Un altra madre tra le mie braccia avrai! LORIS (alzandosi, risoluto) Addio! (lontano fischio interno) FEDORA (fra sè) Il segnale! LORIS (dirigendosi all uscio di destra) Addio! a domani... FEDORA (sbarrandogli il passo) Dove ten vai? LORIS Rincaso... È tardi. FEDORA No, non partire! LORIS Perché? FEDORA (cercando di prendere tempo) Le spie che ti circondano? LORIS (sfiorandola mentre le passa accanto) lo non le temo! FEDORA (cercando ancora di prendere tempo) Ben io le temo! (tra sè) L uccideranno! LORIS Non vo recarti sventura... Addio... FEDORA (frapponendosi tra lui e l uscio) Ah! rimani! Ho paura. Tu corri a un agguato... Fors anche alla morte. LORIS (cercando di allontanarla) Diranno che sono il tuo amante! FEDORA (fissandolo amorosamente) Che importa? LORIS Se t amo! FEDORA Non m ami! LORIS Io t amo! FEDORA No, tu non m ami, non m ami! LORIS (abbracciandola con passione) Fedora, io t amo, il tuo sguardo m inebria! FEDORA Nè patria, Nè madre Rimpiangi per me? LORIS Più nulla! (Tranquillamente, senza togliere gli occhi da Loris, Fedora si sposta indietro verso la porta del salone, la tira, e la chiude a chiave.) Fedora, ti perdi! FEDORA Ti salvo! Ma ripeti ancor Che m ami... LORIS (avvicinandosi lentamente a lei, le mani tese, fissandola negli occhi) T adoro! FEDORA (con gioia profonda) E dunque, rimani! FEDORA, LORIS (avvicinandosi l uno all altra al centro della stanza, nella felicità più intensa) T amo! (Dopo quest ultima dichiarazione, i due amanti s incontrano in un abbraccio appassionato, mentre cala lentamente il sipario.) ATTO II (Ricevimento in casa della principessa Fedora Romazoff a Parigi. Un arcata, sorretta da snelle colonne, divide il Salone propriamente detto dall antisala, che serve da sfogatoio. Nel fondo si scorge l entrata d una serra a cristalli ricca di piante rare. Di là dall arcata, sopra un rialzo un pianoforte a coda intorno molte poltroncine. Quando si alza il sipario, vediamo che il ricevimento è in pieno svolgimento. Fedora dirige il servizio del thé, assistita dal conte Loris Ipanoff) OLGA (presentando Boleslao Lazinski agli invitati. È un bellissimo dammeno dai capelli biondi alla Liszt, ed è ovvio che sta facendo la corte ad Olga per raggiungere i propri fini. Lei è una farfalla madonna, che si prefigge il piacere come unico scopo della vita.) Signori, vi presento Lazinski. Basta il nome nevvero? (a Lazinski) Il dottor Boroff... Il barone Rouvel... ROUVEL (ironico) Felice! BOROFF (scientemente) Lusingato! OLGA Un esule, sapete. ROUVEL, BOROFF Come voi? OLGA Come me. Vedete, la politica é la mia passione. BOROFF (assecondandola) Davvero? OLGA (con entusiasmo) Come é bello il cospirar! ROUVEL (celiando) Vi cercano. OLGA (Infervorandosi) V ascondete. BOROFF (celiando) Vi arrestano. OLGA Fuggite. ROUVEL E vi ripigliano! (Tutti ridono.) FEDORA (tendendo la mano a De Siriex) Oh! II signor de Siriex.. . (a Loris con un sorriso) Vecchi amici di Russia. (a De Siriex) Ed ecco uno recente... Il conte Loris Ipanoff... (a Loris) II signor de Siriex, segretario degli Esteri. (De Siriex esce al sentir nominare Ipanoff, ma si riprende subito mentre Fedora gli offre una tazza di thé.) BOROFF Loris... (conduce Loris alla sinistra in modo che possono parlare in privato) LORIS Che vuoi? DE SIRIEX (a Fedora, con riferimento a Loris) Egli è qui? FEDORA Lo tengo. DE SIRIEX Come faceste? FEDORA Semplicemente. (A questo punto, le due conversazioni cominciano a sovrapposi musicalmente.) So ch è a Parigi; lo cerco, lo spio, lo adesco, l inebrio... BOROFF (a Loris, gravemente) Giurato avevi di non riporre piedi qui dentro. LORIS La cortesia! DE SIRIEX Ed egli? FEDORA E innamorato! Ignoto a tutti. BOROFF Mio Loris, del fulgido sguardo diffida. DE SIRIEX E il suo delitto? FEDORA Ignoto a tutti... (Le due conversazioni distinte - L una tra Fedora e De Siriex, l altra tra Loris e Boroff- procedono in questo brano concertato; tra poco vi si unisce una terza conversazione tra Olga e il Barone Rouvel) DE SIRIEX (a Fedora) Ed ora? LORIS (appassionatamente. A Boroff) L amo.. . FEDORA (A De Siriex) Aspetto... DE SIRIEX (a Fedora) Che mai? FEDORA (A De Siriex) La prova. DE SIRIEX (a Fedora) Come? BOROFF (A Loris) Questa notte io parto... Pensa a tua madre! FEDORA (A De Siriex) Dalla sua bocca. Oh! se lo fosse! Non l odio quanto dovrei... LORIS (A Boroff) L amo, l amo! DE SIRIEX (a Fedora) E se innocente? ROUVEL (ad Olga) Non comprendo... OLGA (spensieratamente. A Rouvel) Lo sono il capriccio leggiero, veloce, che invidia le rondini, e ignora il perché! DE SIRIEX (a Fedora) L amate? FEDORA (A De Siriex) Forse! BOROFF (A Loris) Sei vinto! Ti assista il ciel! DE SIRIEX (a Fedora) Se parla? FEDORA (A De Siriex) Senza pietà! LORIS (a Boroff) Forte io son! ROUVEL (ad Olga) Il vostro cuor. (Fedora e De Siriex risalgono parlando sempre.) OLGA (continuando a civettare con Rouvel) Lo son, io son lo sbadiglio molesto, tenace, che dissipa il bacio, che uccide la gioia, e ignora il perché! ROUVEL Voi siete un bisticcio! (galantemente a Fedora) Principessa, ci fate languir! FEDORA (sorridendo gravosamente) Ognuno porta la sua Croce. (toccandosi quella bizantina che le pende sol petto) Vedete, anch io! ROUVEL É un talismano? FEDORA (facendosi seria subitamente e indicando col dito un piccolo scompartimento nel ciondolo) In quest antica Croce, era una pia reliquia; io vi riposi un farmaco, che sana ogni malor... LORIS (con intenzione) Per voi o per gli amici? FEDORA (Sorridendo) Chi lo sa! LORIS (con un inchino) Grazie. ROUVEL, DE SIRIEX, BOROFF (ridendo) Grazie. OLGA (presentandolo a Fedora) Vi presento Lazinski, il maestro polacco, nipote e successore di Chopin... un poeta del pianoforte, un principe del sentimento, un mago... FEDORA (interrompendo Olga con un saluto a Boleslao) Vi applaudirem stasera? OLGA (con entusiasmo) Naturalmente! FEDORA Bene! (Mentre si allontanano Fedora e Loris, De Siriex e Boleslao offrono entrambi il braccio ad Olga, la quale, dopo alquante moine, si decide per quello di Boleslao) DE SIRIEX (tra l offeso e il galante, ad Olga, che si discosta a braccio di Boleslao) Cosacca! OLGA (attirando l attenzione degli invitati maschi allo scopo di fare una scenata) Miei signori, venite... M hanno offesa! ROUVEL (comicamente) Chi mai? BOROFF (comicamente) Chi mai? CORO Chi mai? OLGA II signor de Siriex. ROUVEL, BOROFF, CORO (con stupore) Lui? DE SIRIEX (piegandosi come un colpevole) lo stesso. OLGA (sempre comicamente) Osò chiamarmi cosacca! Ma perché? ROUVEL, BOROFF, CORO (sempre comicamente, a De Siriex) Risponda il reo! Risponda! DE SIRIEX (con motteggievo le eleganza, canta una canzone russa) La donna russa è femmina due volte, doppiamente adorabile ed ostil.. . Essa é la vera donna, d Eva la figlia vera, con le dolcezze e gl impeti, le audacie e le viltà, l ali e gli artigli, l estasi e le frodi, pronta a immolarsi e facile a tradir. Tutto il suo sesso è in lei, tutto l esser umano un altare, un abisso, un mistero! Angelo e serpe, zingara e regina, sol d oriente e gelo boreal! Ecco la donna russa, con le dolcezze e gl impeti, le audacie e le viltà, pronta a immolarsi e facile a tradir! Ecco la donna russa, (con un inchino galante ad Olga) ed ecco l ideal! BOROFF (a De Siriex) Il ritratto è preciso. ROUVEL (a De Siriex) Benché non troppo gaio... OLGA Evvia! Eccone un altro più somigliante ancor. Il Parigino é come il vino, il vino della vedova, la Vedova Clicquot. Fragrante e perfido, giocondo e gelido, ci fa girar la testa ed i garretti; ma il cuor? Il cuore? Ohibò! Acido e zucchero, vapore e spirito, ribolle, balza, crepita, gorgoglia, freme, e poi? e poi? passò! Farmaco biondo, tossico blando, fa troppo vano strepito, fa troppa spuma... perché? perché? Non so... Svanito il fumo, spenta l ebbrezza, resta il tedio, e l emicrania. Adunque? Dunque? Buon pro! II Parigino é come il vino della Vedova Clicquot! BOROFF Brava, Contessa! DE SIRIEX (inchinandosi) Toccato! ROUVEL (a Olga) Benissimo! OLGA (a Boleslao, investendolo quasi gelosamente) Finalmente! vi colgo... Con chi eravate? Cosa faceste? Rispondete! (Boleslao altro non fa che inchinarsi profondamente.) (Loris e Fedora rientrano dalla sinistra a braccetto. ella freddamente istigante, egli sempre più inebriato, parlando, passeggiano per l anticamera.) FEDORA Ma dunque, é amore? LORIS (con forza) Delirio. FEDORA (ironica) Che sperate? LORIS Tutto. FEDORA (fingendosi offesa) E s io t impedissi? LORIS Con qual dritto? FEDORA (insistendo nel fingere irritazione) Amarvi per forza or dunque dovrò? LORIS Amor ti vieta di non amar. La man tua lieve, che mi respinge, cerca la stretta della mia man; la tua pupilla esprime T amo! " se il labbro dice "Non t amerò!" BOROFF (rientrato dalla dritta, si accosta vivamente a Fedora e Loris, ed inchinandosi a Fedora) Principessa, se aveste ordini per la Russia... FEDORA Partite? BOROFF A mezzanotte. FEDORA Ed io domani. LORIS (con un grido soffocato) voi? BOROFF (a Fedora, inchinandosi) Ci rivedremo allora... FEDORA (porgendogli la destra) A Pietroburgo... BOROFF (dopo aver baciato la mano alla Principessa, a Loris tristemente, con un gesto di saluto) Addio! LORIS Addio! (a Fedora) Doman? FEDORA (con un sospiro subdolo) Lascio Parigi... LORIS Sciagurato! ed io seguirvi la non posso! FEDORA (come per consolarlo) Appena giunta, pregherò per voi perdono... LORIS Vana impresa! FEDORA (fissandolo intensamente) Perchè no? Che faceste? E cosa grave? LORIS (capo) Grave. FEDORA Dunque sei reo? LORIS No. FEDORA (con gioia) Innocente? LORIS D un delitto... (Fedora, ben decisa a carpire a Loris la verità, trovandosi presso il divanetto, con dolce violenza vi fa sedere Loris, e quindi siede al sul banco.) OLGA Principessa, Boleslao può cominciar? FEDORA (facendo con la mano un gesto di indifferenza, e non volendo essere disturbata) Cominci... (Lazinski si siede al pianoforte. Assicuratasi che non ci saranno altre interruzioni, Fedora si concentra sulla preda. Lei e Loris sono parzialmente nascosti olla vista degli altri invitati da un paravento ornamentale e un gruppo di palme in vaso.) FEDORA (sottovoce) Dimmi, dunque... Di ... che fu? LORIS (si guarda intorno per assicurarsi di non essere udito) Fu l accusa d aver teso un tranello a Vladimiro Andrejevich.. . FEDORA (rabbrividendo) E non corri a scolparti? LORIS Da suo padre? Contro tutti? FEDORA Se innocente sei davvero, crederà... (Lazinski comincia a suonare un notturno.) LORIS (tentennando il capo) Egli? (tutta questa scena a mezzavoce) FEDORA E tu qui propormi ardisci l amor tuo contaminato dal terribile sospetto... e il tuo nome... il turpe nome d un assassino! LORIS Innocente! FEDORA (con simulata passione) Prova, dunque, questa tua grande innocenza... e la gitta in taccia al mondo pel tuo onor, per l amor mio! (lo guarda con feroce ansietà affascinando Loris con la persona piegata e palpitante) Tu taci? Rispondi... rispondi! LORIS (con intensità) Fedora, m amate? FEDORA (affascinandolo sempre più) Si, t amo... t amo. Ma parla... parla. . . LORIS (dopo uno sforzo supremo, subito con voce spenta) Ebben... Si... l uccisi... FEDORA (sorgendo in piedi di scatto, inorridita) Eri tu? LORIS Fedora! FEDORA Assassino! (Nel salone tutti applaudiscono Lazinski, che a finito il notturno e é in procinto di iniziare il secondo brano.) LORIS T inganni! Tu ignori... FEDORA (sogghignando) Fu qualche disgrazia? LORIS Castigo! FEDORA Un agguato codardo? LORIS E che ne sai tu? FEDORA (fra sé) Nulla io so! (Loris si alza e manifesta chiaramente la propria intenzione di lasciare la festa.) Mi sfugge! (più forte) Ma dove ten vai? Vuoi, dunque, lasciarmi nel dubbio? LORIS (fermandosi, con grande tristezza) Che giova? Non m ami! T incuto ribrezzo! FEDORA (sforzandosi di sorridere) Rifletti... la prima sorpresa... LORIS (con un gesto disperato) Chiamarmi assassino potesti! FEDORA (accostandosi con mal repressa ripugnanza) Fu il grido del sangue. Ma poi, il cuore risponde chi sa? LORIS (con grande trasporto) Che sii benedetta! FEDORA (procurando di farlo un altra volta sedere) Ma dimmi... Perché l uccidesti? LORIS (resistendo) Parlare, in mezzo a una testa? Vo darti la prova... Domani... qui stesso... FEDORA (fermandolo) Stanotte! Rispondi... Verrai? LORIS Si, verrò... FEDORA (quasi amorosamente) Lo vedi! Non provo ribrezzo. LORIS (baciandole ardentemente la mano) Oh, grazie! Fra un ora? (s allontana rapidamente e scompare a sinistra. Fedora fa l atto di strapparsi rabbiosamente dalla mano l impronta del bacio) FEDORA (trucemente) Infame! Più non mi sfuggi! (Le signore circondano il concertista per complimentarlo) OLGA (con entusiasmo a una dama) Portentoso! ROUVEL (a De Siriex, astutamente) Strepitoso! DE SIRIEX (ridendo a Rouvel) Schiacciante! OLGA (giocondamente a Fedora) Si fanno quattro salti? FEDORA (distratta, e sempre intenta alla vendetta contra Loris) Veramente, è un po tardi. OLGA (chiedendo) Un altro giro? ROUVEL Il ballo è il cognac dell amor. (Olga prende il braccio di Lazinski, un generale offre Il suo a Fedora. Mentre le coppie si muovono verso la pista da ballo, un lacchè reca un dispaccio su d un vassoio a De Siriex, che lo apre in disparte e lo legge con crescente emozione.) DE SIRIEX (accostandosi rapidamente a Fedora) Principessa! Un dispaccio ufficiale. Vi consiglio di sospendere la festa. FEDORA (stupita) Perché? DE SIRIEX Un attentato! FEDORA Contro lo Czar? DE SIRIEX (porgendole il dispaccio) Leggete. FEDORA (leggendo) Quei maledetti! (il dispaccio passa di mano in mano. La costernazione si dipinge su tutti i volti.) DE SIRIEX (a Fedora, con intenzione baciandole la mano) I nichilisti! OLGA (prendendo il braccio di Boleslao, spensieratamente a Fedora) Che peccato! Il mio giro! FEDORA (quasi solennemente) Dio protegga lo Czar! (Gli invitati si congedano da Fedora. Molta confusione nel fondo. La Principessa stringe a tutti la mano. Le due sale si sfollano rapidamente. I servi spengono i lumi dei lampadar e dei doppieri. un cameriere tira un ampia cortina di velluto cupo tra le colonne che dividono l antisala dal gran salone, chiudendo così tutta l arcata. L antisala rimane illuminata da una lampada sola. Fedora ridiscende nell antisala, siede e resta pensosa. Ad un tratio si alza, apre la piccola scrivania Settecento e si mette a scrivere. Dopo essersi occupata per un po in questa maniera, si alza, va verso una porta al lato del salone, e chiama il detective russo.) FEDORA Gretch! (Egli compare sulla porta, e lei lo interroga nervosamente.) I vostri uomini? GRETCH (accennando all uscio donde è entrato) Sono là... FEDORA Bene! (ritorna alla scrivania, e ricomincia a scrivere) GRETCH (rispettosamente) Sempre ho seguito Loris Ipanoff. FEDORA (chiudendo la lettera) Dite! GRETCH (consultando il proprio taccuino) Stasera un uom sospetto, Giunto appena di Russia, gli recava una lettera del fratel Valeriano. FEDORA Il fratello? Anche lui! (riapre la lettera e vi aggiunge alcune parole) Valeriano... Null altro? GRETCH Nulla. FEDORA (chiude la lettera e la suggella) Ho la prova suprema... la confessione sua! GRETCH (meravigliato) Confessa il suo delitto? FEDORA Confessa! GRETCH Finalmente! FEDORA Egli sta per tornare. Voi scendete in giardino. Appena pronti, un segno! Io lo congederò. GRETCH E poscia? FEDORA (alteramente) Fate il vostro mestiere. Non un grido, non un singulto! GRETCH Abbiamo un bavaglio. FEDORA Alle foce della Senna vi attende la nave Elisabetta. È quello suolo russo. GRETCH Obbedirò, signora... O vivo o morto! FEDORA (porgendogli la lettera) Questa per l Ambasciata. Sia spedita all istante a Pietroburgo... GRETCH Forse al generale Jariskin? FEDORA D ogni cosa lo informo. GRETCH Sarà fatto, Eccellenza! FEDORA (in un sussurro improvviso) Silenzio... (va in fondo ad ascoltare) È lui! È lui! (a Gretch) Andate. (Gretch esce per dove è entrato. Come Loris compare all ingresso, Fedora, maestosamente in piedi vicino alla scrivania, gli punta contro un dito accusatore, e gli parla con il tono di chi siede in un tribunale.) FEDORA Loris Ipanoff, oggi lo Czar, nostro signore, venia atrocemente colpito, come un giorno Vladimiro Andrejevich, dai nichilisti... E voi siete di quelli! LORIS (stupito) lo? FEDORA Voi! LORIS È falso! FEDORA Ma perché l uccideste? LORIS (con fredda energia) Per una donna... FEDORA Una donna? LORIS La mia... FEDORA (soffocata dall emozione) La tua LORIS Mia moglie... FEDORA (smarrita) Dimmi tutto... LORIS (sedendo sul divanetto. Guardandolo quasi spaventata Fedora siede essa pure.) Mia madre, la mia vecchia madre, Solinga vive, Come in sogno di pace, Nel suo castel lontan. L ultimo april, vi accolse Una giovin lettrice, Una sirena bionda, Wanda era il nome suo fatal. FEDORA (soffocata) Wanda! LORIS Cedendo alle lusinghe, l amai beato. Ma la mia buona madre L ascosa vampa travide, e lunge volle l incantatrice. lo la raggiungo, l adduco al tempio, mia la proclamo davanti a Dio! M eran padrini due vecchi amici... FEDORA (interrompendolo) Vladimiro? LORIS Vladimiro. Nel segreto nostro asilo tanto assiduo egli si mostra che il sospetto m entra in core. (con crescente emozione) Un vespro, a Natale, partendo pel dolce castello paterno, sovvienmi d un dono promesso a mia madre. Risalgo in slitta, E ratto ritorno. A mezzo la via, Discesa dall uscio del nobile amico. ravviso la fante di Wanda. L inseguo. La donna vacilla, balbetta, confessa. Di Wanda un biglietto reco a Vladimiro, lo salgo egli è uscito. II servo mi lascia un istante. lo corro al tiretto e trovo... FEDORA (interrompendolo) La lettera infame? LORIS (continuando) Che dice "Ti attendo stasera, alle nove!" FEDORA (fissandolo quasi con spavento) lo mi domando ancora se chi mi parla sia l uomo più turpe o più infelice. LORIS (stupito) Come? FEDORA (con la voce piena di odio) Se tu mentissi? LORIS (alzandosi di scatto) Di me dubiti ancora? FEDORA Chi mi da la certezza? LORIS Lui stesso. FEDORA (incredula sempre) Vladimiro? LORIS Ecco la prova. (getta sulla tavola un pacco di lettere) Leggi! FEDORA (riconosce la scrittura di Vladimiro, legg) "Anima mia!" (fra sè, esterrefatta) La sua scrittura. (correndo con l occhio alla firma) "Vladimiro tuo che t adora" (guardando l acclusa fotografia da biglietto da visita) Il suo ritratto! Dunque è vero? LORIS (porgendole un altra lettera) Leggi! Ed era fidanzato! FEDORA (leggendo) Pensa alla mia fortuna" (fra sé) Alla fortuna sua! (prende la lettura) Colei che sposerò non sarà tua rivale la sola donna mia, sei tu, Wanda adorata!" (straccia la lettera) Vile! Vile! FEDORA, LORIS Vile! FEDORA (guardando il ritratto) Essere abbietto! Cuore di fango! (straccia il ritratto e se getta via i pezzi. poi, agitata fin quasi alla frenesia, fissa l attenzione su Loris.) Ed or narra il castigo... LORIS La fante mi svela l immondo ritrovo. All ora fissata vi penetro armato. Deserta è la prima stanzetta. Vi ascolto. Un onda di risa... Un onda di baci! FEDORA Avanti! LORIS II mio nome! Cieco di rabbia! Un urto alla porta e mi slancio. FEDORA (afferrando con le mani il tavolino) Avanti... avanti! LORIS Ella balza. lo l afferro, e l atterro. "Lascia quella donna" grida il vile. Mi rivolgo furibondo al vedermi armato ei s arma. Spara... al fianco mi ferisce... lo rispondo... ma l uccido. FEDORA (come un grido di gioia selvaggia) Ah! anche lei! LORIS (calmo) Ella fuggi... ma inferma cadde... langui... si spense. (fieramente) Ma chi m accusa? Chi dunque mi spia? Conosci tu gl infami? FEDORA (presto) Nulla io so! LORIS Vedi, io piango... ma, se piango, no, non è per la mia vita. A mia madre penso, e piango per il suo gran dolor. Non sarò nella mia casa a implorare il suo perdono, e quei dolci occhi morenti socchiuder non potrò! Vedi, io piango, ma, se piango, no, non è il piango mio viltà! FEDORA (dolcemente, con passione, tentando di consolarlo) Lascia che pianga io sola e pianga di vergogna pianga L infame accusa, pianga il profondo inganno. T avea creduto un vile schiavo dell odio altrui ed eri un forte, un nobile, un santo punitor. LORIS (sconsolatamente) Vana pietà! Vana pietà, se parti! lo patria e tetto e nome e madre più non ho! Vana, vana pietà! FEDORA Loris, non parto più, non parto più! Un altra madre tra le mie braccia avrai! LORIS (alzandosi, risoluto) Addio! (lontano fischio interno) FEDORA (fra sè) Il segnale! LORIS (dirigendosi all uscio di destra) Addio! a domani... FEDORA (sbarrandogli il passo) Dove ten vai? LORIS Rincaso... È tardi. FEDORA No, non partire! LORIS Perché? FEDORA (cercando di prendere tempo) Le spie che ti circondano? LORIS (sfiorandola mentre le passa accanto) lo non le temo! FEDORA (cercando ancora di prendere tempo) Ben io le temo! (tra sè) L uccideranno! LORIS Non vo recarti sventura... Addio... FEDORA (frapponendosi tra lui e l uscio) Ah! rimani! Ho paura. Tu corri a un agguato... Fors anche alla morte. LORIS (cercando di allontanarla) Diranno che sono il tuo amante! FEDORA (fissandolo amorosamente) Che importa? LORIS Se t amo! FEDORA Non m ami! LORIS Io t amo! FEDORA No, tu non m ami, non m ami! LORIS (abbracciandola con passione) Fedora, io t amo, il tuo sguardo m inebria! FEDORA Nè patria, Nè madre Rimpiangi per me? LORIS Più nulla! (Tranquillamente, senza togliere gli occhi da Loris, Fedora si sposta indietro verso la porta del salone, la tira, e la chiude a chiave.) Fedora, ti perdi! FEDORA Ti salvo! Ma ripeti ancor Che m ami... LORIS (avvicinandosi lentamente a lei, le mani tese, fissandola negli occhi) T adoro! FEDORA (con gioia profonda) E dunque, rimani! FEDORA, LORIS (avvicinandosi l uno all altra al centro della stanza, nella felicità più intensa) T amo! (Dopo quest ultima dichiarazione, i due amanti s incontrano in un abbraccio appassionato, mentre cala lentamente il sipario.) Giordano,Umberto/Fedora/III
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Mechanics in Differential Geometry V.S.P. Intl Science? Yves R. Talpaert? V.S.P.IntlScience? YvesR.Talpaert? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-DifferentialGeometry? Subjects-Science-General Subjects-Science-Mathematics-Geometry&Topology-DifferentialGeometry? The Structural Stabilization of Polymers Fractal Models (New Concepts in Polymer Science) V.S.P. Intl Science? G. V. Kozlov? G. E. Zaikov? V.S.P.IntlScience? G.V.Kozlov? G.E.Zaikov? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-MaterialsScience-PolymerScience? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Fractals? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-Fractals? The Ins and Outs of the Predication (Functional Grammar Series, 6) Foris Pubns USA? International Conference on Functional Grammar 1986 University of ant? Johan Van Der Auwera? Louis Goossens? J. Van Der Anwera? ForisPubnsUSA? InternationalConferenceonFunctionalGrammar1986Universityofant? JohanVanDerAuwera? LouisGoossens? J.VanDerAnwera? Substores-UnknownASINs-55? Subjects-Nonfiction-SocialSciences-Linguistics-General? Subjects-Nonfiction-Education-Reference-Words&Language-Grammar? Subjects-Reference-Words&Language-Grammar? Subjects-Science-General New Directions in Machine Language Mouton De Gruyter? Dan Maxwell? MoutonDeGruyter? DanMaxwell? Substores-UnknownASINs-55? Subjects-Science-General Perceptual Dialectology Nonlinguists Views of Areal Linguistics (Topics in Sociolinguistcs Ser . No. 7) Foris Pubns USA? Dennis R. Preston? ForisPubnsUSA? DennisR.Preston? Substores-UnknownASINs-55? Subjects-Science-General Making Haste Slowly Strengthening Local Environmental Management in Agricultural Development (DORA) Koninklijk Instituut Voor De Tropen? A. Huijsman? H. Savenije? KoninklijkInstituutVoorDeTropen? A.Huijsman? H.Savenije? ユーズドブック(洋書)-Outdoors&Nature Substores-UnknownASINs-55? Subjects-Outdoors&Nature-Ecology-LivingontheLand? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Subjects-Science-AgriculturalSciences-General? Precious Metals in Early South East Asia Proceedings of the Second Seminar on Gold Studies Koninklijk Instituut Voor De Tropen? W. H. Kal? KoninklijkInstituutVoorDeTropen? W.H.Kal? ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-55? Subjects-Home&Garden-Antiques&Collectibles-PreciousMetals? Subjects-Home&Garden-Crafts&Hobbies-Jewelry? Subjects-Science-General Dynamics in Farming Systems Changes in Time and Space in Sukumaland, Tanzania Koninklijk Instituut Voor De Tropen? H. C. C. Meertens? L. J. Ndege? H. J. Enserink? KoninklijkInstituutVoorDeTropen? H.C.C.Meertens? L.J.Ndege? H.J.Enserink? Substores-UnknownASINs-55? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-General? Subjects-Science-General Philological and Historical Commentary on Ammianus Marcellinus, Xxi John Benjamins Pub Co? J. Den Boeft? D. Den Hengst? H. C. Teitler? JohnBenjaminsPubCo? J.DenBoeft? D.DenHengst? H.C.Teitler? Substores-UnknownASINs-55? Subjects-History-Ancient-Rome? Subjects-History-Europe-General? Subjects-Literature&Fiction-Classics-Roman? Subjects-Science-General Clear and Cloudy Boundary Layers Edita KNAW? A.A.M. Holtslag? P.G. Duynkerke? EditaKNAW? A.A.M.Holtslag? P.G.Duynkerke? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-General Rudolf Magnus Physiologist and Pharmacologist Edita? Otto Magnus? Edita? OttoMagnus? Substores-UnknownASINs-67? Subjects-Science-General The Calvinist Copernicans The Reception of the New Astronomy in the Dutch Republic, 1575-1750 Edita-the Publishing House of the Royal? Rienk Vermij? R. H. Vermij? Edita-thePublishingHouseoftheRoyal? RienkVermij? R.H.Vermij? Substores-UnknownASINs-55? Subjects-History-Europe-Netherlands? Subjects-Science-General Herman Boerhaave, 1668-1738 Calvinist Chemist and Physician (Edita - History of Science and Scholarship in the Netherland) Edita? Rina Knoeff? Edita? RinaKnoeff? Substores-UnknownASINs-55? Subjects-Science-General How Fluids Unmix Discoveries by the School of Van Der Waals and Kamerlingh Onnes Johann Levelt Sengers? J. M. H. Levelt Sengers? undefined JohannLeveltSengers? J.M.H.LeveltSengers? Substores-UnknownASINs-55? Subjects-Science-General Volcanology of Saba and St. Eustatius, Northern Lesser Antilles Edita? M. John Roobol? Edita? M.JohnRoobol? Substores-UnknownASINs-67? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Dutch Pioneers of the Earth Sciences Edita? Jacques L. R. Touret? Robert Paul Willem Visser? Edita? JacquesL.R.Touret? RobertPaulWillemVisser? Substores-UnknownASINs-67? Subjects-History-Europe-Netherlands? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Anacardiaceae (Flora of Tropical East Africa) Crc Pr I Llc? CrcPrILlc? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Botany? Subjects-Science-General Subjects-Science-BiologicalSciences-Botany-General? The Paper Museum Of The Academy Of Sciences In St. Petersburg c. 1725-1760 Introduction And Interpretation (Edita - History of Science and Scholarship in the Netherland) Edita? Renée E. Kistemaker? Natalya P. Kopaneva? Deborah J. Meijers? Georgy V. Vilinbakhov? Edita? RenéeE.Kistemaker? NatalyaP.Kopaneva? DeborahJ.Meijers? GeorgyV.Vilinbakhov? Subjects-Arts&Photography-Art-Painting-StillLife? Subjects-Arts&Photography-Art-ArtHistory-General? Subjects-Arts&Photography-Art-Museums&Collections-Museums-ExhibitionCatalogs-General? Subjects-Arts&Photography-Art-Instruction&Reference-Drawing? Subjects-History-Asia-Russia? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? De Huysbou A Reconstruction of an Unfinished Treatise on Architecture, Town Planning And Civil Engineering by Simon Stevin (History of Science and Scholarship in the Netherlands) Edita? Charles Van Den Heuvel? Edita? CharlesVanDenHeuvel? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-Urban&LandUsePlanning? Subjects-Engineering-Civil-Surveying&Photogrammetry? Subjects-Nonfiction-UrbanPlanning&Development-General? Subjects-Professional&Technical-Engineering-Civil-Surveying&Photogrammetry? Subjects-Professional&Technical-Architecture-Urban&LandUsePlanning? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Landscape Ecological Vegetation Map of The Island Of Bonaire (Southern Caribbean) Edita? J. A. De Freitas? B. s. j. Nijhof? A. C. Rojer? A. O. Debrot? Edita? J.A.DeFreitas? B.s.j.Nijhof? A.C.Rojer? A.O.Debrot? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Travel? Subjects-Nonfiction-Philosophy-Science? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-General? Subjects-Travel-Caribbean-Aruba&NetherlandsAntilles? Geology of the Netherlands Edita? Theo E. Wong? Dick A. J. Batjes? Jan De Jager? Edita? TheoE.Wong? DickA.J.Batjes? JanDeJager? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-General The Mindful Hand Inquiry and Invention from the Late Renaissance to Early Industrialisation Edita? Lissa L. Roberts? Simon Schaffer? Peter Dear? Edita? LissaL.Roberts? SimonSchaffer? PeterDear? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Optogalvanic Effect in Ionized Gas Fisec? V. N. Ochkin? N. G. Preobrazhensky? N. Y. Shaparev? Sergei G. Kittel? Fisec? V.N.Ochkin? N.G.Preobrazhensky? N.Y.Shaparev? SergeiG.Kittel? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-Lasers? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-Optics? Inhibition of Chain Reactions Routledge? E. T. Denisov? V. V. Azatyan? N. P. Golovchenko? Routledge? E.T.Denisov? V.V.Azatyan? N.P.Golovchenko? ユーズドブック(洋書)-Medicine? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Physical&Theoretical-PhysicalChemistry? Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Electrodynamic Characteristics of Accelerating Cavities Fisec? N. P. Sobenin? B. V. Zverev? Fisec? N.P.Sobenin? B.V.Zverev? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-67? Subjects-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-Microelectronics? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? Subjects-Science-General Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Subjects-Science-Physics-Electromagnetism-General? Images of the Past Studies on Anciet Societies in Northwestern Europe (Studies in Prae-and Protohistory) Amsterdam Univ Pr? F. Theus? Nico Roymans? Pionier-Project Power and Elite ? F. Theuws? AmsterdamUnivPr? F.Theus? NicoRoymans? Pionier-Project PowerandElite ? F.Theuws? Substores-UnknownASINs-55? Subjects-History-Ancient-General? Subjects-Science-General Transactions 25th Meeting European Strabismological Association 25th Meeting, European Strabismological Association, Jerusalem, Israel, September 1999 (Transactions of the Meetings of the European Strabismological Association) Routledge? European Strabismological Association Meeting 1999 (Jerusalem)? Micheline Spiritus? Routledge? EuropeanStrabismologicalAssociationMeeting1999(Jerusalem)? MichelineSpiritus? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-55? Subjects-Medicine-Specialties-Ophthalmology? Subjects-Medicine-InternalMedicine-Neurology? Subjects-Professional&Technical-Medical-Medicine-Surgery-Ophthalmology? Subjects-Science-General Subjects-Science-Medicine-Specialties-Ophthalmology? Subjects-Science-Medicine-InternalMedicine-Neurology? Analysis and Evaluation of Pumping Test Data (Ilri Pub Ser . No 47) Intl Inst for Land Reclamation and? G. P. Kruseman? N. A. De Ridder? IntlInstforLandReclamationand? G.P.Kruseman? N.A.DeRidder? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Civil-Environmental-Hydrology? Subjects-Professional&Technical-Engineering-Civil-Environmental-Hydrology? Subjects-Science-EarthSciences-Geology-Hydrology? Subjects-Science-General Biological and Artificial Intelligence Systems Kluwer Academic Pub? Enrico Clementi? S. Chin? KluwerAcademicPub? 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Van Gunsteren? Paul K. Weiner? EscomSciencePubBv? WilfredF.VanGunsteren? PaulK.Weiner? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-Networks? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Physical&Theoretical-PhysicalChemistry? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-Genetics? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Amino Acids Kluwer Academic Pub? Gert Lubec? Gerald A. Rosenthal? KluwerAcademicPub? GertLubec? GeraldA.Rosenthal? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Modern Techniques in Computational Chemistry - Motecc 1989 Kluwer Academic Pub? Enrico Clementi? KluwerAcademicPub? EnricoClementi? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Peptides - Chemistry, Structure and Biology Proceedings of the Eleventh American Peptide Symposium Kluwer Academic Pub? Jean E. Rivier? Garland R. Marshall? KluwerAcademicPub? JeanE.Rivier? GarlandR.Marshall? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Modern Techniques in Computational Chemistry - Motecc 1980 Kluwer Academic Pub? Enrico Clementi? KluwerAcademicPub? EnricoClementi? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Peptides 1990 Proceedings of the Twenty-First European Peptide Symposium (European Peptide Symposia) Kluwer Academic Pub? Ernest Giralt? Daivd Andreu? KluwerAcademicPub? ErnestGiralt? DaivdAndreu? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Proteins Structure, Dynamics and Design Kluwer Academic Pub? V. Renugopalakrishnan? Paul R. Carey? Ian C. P. Smith? Shaw G. Huang? Andrew C. Storer? KluwerAcademicPub? V.Renugopalakrishnan? PaulR.Carey? IanC.P.Smith? ShawG.Huang? AndrewC.Storer? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Modern Techniques in Computational Chemistry - Motecc 1991 Kluwer Academic Pub? Enrico Clementi? KluwerAcademicPub? EnricoClementi? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Computers&Internet? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Peptides - Chemistry and Biology Proceedings of the Twelfth American Peptide Symposium Kluwer Academic Pub? John A. Smith? Jean E. Rivier? KluwerAcademicPub? JohnA.Smith? JeanE.Rivier? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Trends in Qsar and Molecular Modelling 92 Kluwer Academic Pub? Camille Georges Wermuth? KluwerAcademicPub? CamilleGeorgesWermuth? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-55? Subjects-Medicine-Pharmacology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Medicine-Pharmacology? 3D Qsar in Drug Design Theory Methods and Applications (Three-Dimensional Quantitative Structure Activity Relationships) Springer? Hugo Kubinyi? Springer? HugoKubinyi? ユーズドブック(洋書)-Medicine? Substores-UnknownASINs-55? Subjects-Medicine-General? Subjects-Medicine-Pharmacology? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Science-Medicine-General? Subjects-Science-Medicine-Pharmacology? Peptides 1992 Proceedings of the Twenty-Second European Symposium (European Peptide Symposia) Kluwer Academic Pub? C. H. Schneider? Alex N. Eberle? KluwerAcademicPub? C.H.Schneider? AlexN.Eberle? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Peptide Chemistry 1992 Proceedings of the 2nd Japan Symposium on Peptide Chemistry Kluwer Academic Pub? N. Yanaihara? KluwerAcademicPub? N.Yanaihara? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Peptide - Biology and Chemistry Proceedings of the 1992 Chinese Peptide Symposium Kluwer Academic Pub? Yu-Chang Du? James P. Tam? You-Shang Zhang? KluwerAcademicPub? Yu-ChangDu? JamesP.Tam? You-ShangZhang? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Peptides - Chemistry, Structure and Biology Proceedings of the Thirteenth American Peptide Symposium Kluwer Academic Pub? Robert S. Hodges? John A. Smith? KluwerAcademicPub? RobertS.Hodges? JohnA.Smith? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-55? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Peptides 1994 Proceedings of the Twenty-Third European Peptide Symposium (European Peptide Symposia) Kluwer Academic Pub? H. L. S. Maia? KluwerAcademicPub? H.L.S.Maia? Substores-UnknownASINs-55? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-BiologicalSciences-Zoology-General? Annual Reports in Combinatorial Chemistry and Molecular Diversity (Annual Reports in Combinatorial Chemistry Molecular Divers) Springer? W. H. Moos? M. R. Pavia? Brian K. Kay? A. D. Ellington? Springer? W.H.Moos? M.R.Pavia? BrianK.Kay? A.D.Ellington? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? Subjects-Engineering-Chemical-PolymerChemistry? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Pharmacology-Pharmacy? Subjects-Professional&Technical-Engineering-Chemical-PolymerChemistry? Subjects-Professional&Technical-Medical-Pharmacology-Pharmacy? Subjects-Professional&Technical-Medical-Pharmacology-Chemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Pharmacy? Computer Simulation of Biomolecular Systems Theoretical and Experimental Applications (Computer Simulations of Biomolecular Systems) Kluwer Academic Pub? Wilfred F. Van Gunsteren? Paul K. Weiner? Anthony J. Wilkinson? KluwerAcademicPub? WilfredF.VanGunsteren? PaulK.Weiner? 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Subjects-Science-Medicine-BasicScience-Physiology? Scientific Europe I B D Ltd? Nigel Calder? IBDLtd? NigelCalder? Substores-UnknownASINs-55? Subjects-Science-Education-Research? Subjects-Science-General The Nepticulidae of Eastern Europe And Asia Western, Central And Eastern Parts Apollo Books? R. Puplesis? ApolloBooks? R.Puplesis? ユーズドブック(洋書)-Outdoors&Nature Subjects-Outdoors&Nature-Fauna-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-Invertebrates? Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-General? Subjects-Science-BiologicalSciences-Biology-Entomology? Extended Abstracts of 64th Eage Towards Integration of Geosciences Florence, Italy May 27-30th, 2002 Eage? undefined Eage? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-General 洋書
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Direct and Inverse Problems of Electromagnetic and Acoustic Wave Theory Proceedings of Ivth International Seminar/Workshop (Lviv, September 20-23, 1999) Ieee? International Seminar? Ukraine) Workshop on Direct and Inverse Problems of Electromagnetic and Acoustic Wave Theory (4th 1999 Lviv? Ieee? InternationalSeminar? Ukraine)WorkshoponDirectandInverseProblemsofElectromagneticandAcousticWaveTheory(4th 1999 Lviv? ユーズドブック(洋書)-Engineering Subjects-Engineering-SpecialTopics-Acoustics? Subjects-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectromagneticTheory? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Acoustics? Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Science-General Subjects-Science-Physics-Acoustics&Sound? 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Diped 2001 Direct and Inverse Problems of Electromagnetic and Acoustic Wave Theory, Proceedings Ov 6th International Seminar/Workshop, Lviv, September 18-20,2001 Nacional Na Akademija Nank Ukrainy? NacionalNaAkademijaNankUkrainy? ユーズドブック(洋書)-Engineering Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Science-General Subjects-Science-Physics-General? Substores-UnknownASINs-jp-unknown3? Microwave Conference Microwave Telecommunication Technology, 2001 11th International Crimean Ieee? CriMiCo (Conference)? Ieee? CriMiCo(Conference)? ユーズドブック(洋書)-Engineering Subjects-Engineering-Telecommunications-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Russian? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Trade Unions and the State in Peninsular Malaysia (South-East Asian Social Science Monographs) Oxford Univ Pr? Jomo K. S.? Patricia Todd? OxfordUnivPr? 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Multiplayer The Stonehenge Chronicles - JANUARY 21, 2008 North America and Europe Only The Stonehenge Chronicles Update Notes Happy New Year! 2008 is upon us, and we’re thrilled to be kicking it off with our first major update – the Stonehenge Chronicles. We’ve got a lot in store for all of our players, so let’s get to it! In this update, you’ll see the first of the big balance sweeps we’re doing on all of the character classes. Both the Guardian and the Evoker got a lot of attention this time around, and we hope that players of those classes will dig into how the classes play now. We’re making it simple for these players to get a handle on the new balances by allowing them to completely respec their characters. PvP is starting to get more attention with the introduction of the Dueling Arena. This both makes dueling easier to accomplish and also gives us a better and more accurate way to track play habits and stats – a key to really increasing this section of the game. There’s also a whole slew of other overall improvements, tweaks, and additions, so take a couple of minutes to go through the release notes and see what’s new. For our Subscription Members, we’re opening the portal to Stonehenge! This is a completely new area that not only has new items and monsters, but also completely new ways to experience the game. The Essence Caves are the first of our non-linear style of play. You can repeat this long quest chain multiple times throughout the career of your character as it scales with your character (or party) level. The rewards are rich and many of them are unique to the Stonehenge area. The Wild is also a new type of game play since it is focused exclusively on group play. You need big groups to have success out there – and the deeper you get, the harder it gets. It’s time to get your friends together! We’ve got lots more in store, and we’re working on every aspect of the game. Thank you all for your support over the past couple of months. We’re listening and doing all we can to make Hellgate London what we all want. See you online! --- General Based on the number and depth of balance changes to skills in this update, certain characters will be provided a “respec token” that allows them to reassign their skill points. This token is automatically placed in the character’s inventory and can be used at any time. All Evokers and Guardians will receive respec tokens, as will all characters in Subscription Member accounts. 激しくスキル調整したクラスがあるんで、スキル振りなおしのアイテムあげよう。ただし、課金者には全キャラあげよう。 PvP A Dueling Arena has been built for those who wish to test their mettle against each other. When challenging another character to a duel, the invitation dialogue indicates that the duel will take place in the Arena. When the duel is accepted, both characters are instantly transported there. When both characters have loaded into the Arena, a countdown begins. During the countdown, characters can move, but they cannot use skills, activate items, cast spells, or attack their opponent. After a duel has been won, the defeated character is reset, as is their opponent and a new countdown clock begins. Players can leave the Dueling Arena by activating their Recall device. Players can still duel in other areas by joining the same party and activating their /pvp flag as before. Group Play Increased experience and treasure bonus for groups. Characters now receive more experience and treasure on a greatly accelerated scale based on number of players in a group. Fixed a bug where grouped players that were separated from the rest of their party were receiving extra experience for all of the other group members. Graphics Templar melee animations have been tweaked for smoother combat flow. Memory Manager Party members will now show up in higher resolutions. Players will not see the change until they move to a different zone and users must have Textures at least set to High. User Interface The Mini Map is now set to the top right of the screen with character state icons appearing below. The Chat Window is now scalable. To adjust the size of the chat window, hold down the ALT key. There is a small tab in the upper right hand corner of the chat interface that can be used to resize the window. The LFG interface has received new functionality. To activate the LFG Interface, simply press the ‘P’ key.The screen has been re-arranged to allow for more information and additional features. Party Leaders can advertise existing groups to add new members. Individuals can advertise themselves as being available for a group. To instead create an entirely new group, select the CREATE PARTY option. Otherwise, the character is listed as an individual looking for a group to join. New search filters have been added to better find the right group dynamic. Players can now Invite, Join and Whisper to individuals or groups listed in the LFG interface. Skills There are a wide variety of balance tweaks across the Templar and Cabalist factions. Cabalist Brom s CurseThis spell now heals a fixed amount based on the attacker s level instead of being based on a percentage of the attacker s health. The rank progression of this spell has been adjusted. Brom s Curse affects up to 4 targets for 5 seconds at rank 1. The maximum number of targets is increased by 1, the duration increased by 1 second, and the amount healed is increased by 12.5% per rank. This spell may now be cast while moving. The range of Brom s Curse has been increased to 20 meters. AfterlifeThe power cost of this spell has been reduced. Elemental DrainThe power cost of this spell has been greatly reduced. The casting time has been reduced by 1 second. Word of FearThe Fear Attack Strength of this spell now properly scales with the caster s level. The base Fear Attack Strength of this spell has been increased by 25%. The rank progression of this spell has been adjusted. Word of Fear now gains 33% more Fear Attack Strength per rank. Evoker Skill Rank bonus descriptions have been updated and normalized to be based on their initial rank 1 effect. For example, Spectral Bolt now displays no Phase Attack Strength bonus at rank 1, but displays a more clear bonus of 25% Phase Attack Strength per additional rank. Spectral CurseSpectral Curse now also reduces targets movement speed by 10%. The rank progression of this spell has been adjusted. Spectral Curse now affects up to 4 targets for a 5 seconds at rank 1. The maximum number of targets is increased by 1, the duration increased by 1 second, and movement speed penalty increased by 5% per rank. This spell may now be cast while moving. The power cost of has been reduced substantially, and the range has been increased to 20 meters. The explosion damage caused by Spectral Curse has been increased. Drain PowerThe damage of this spell has been increased significantly. Drain LifeThe damage of this spell has been doubled. Arcane ShieldThe rank progression of this spell has been adjusted, providing slightly less shields at lower ranks. Arcane Shield is unaffected by the Evoker s movement. This spell now lasts for 10 seconds with a 25 second recast time. Concentrate DamageThe rank progression of this spell has been adjusted. Concentrate Damage now provides a lower initial damage bonus, but grants a greater bonus per rank. Concentrate Damage s new damage bonus progression surpasses its previous curve damage bonus progression at rank 4. Summon EmberThe rank progression of this spell has been adjusted. Additional ranks of this skill now provide 15% more damage instead of 20%, but the base damage of the Ember pet is significantly higher across all ranks. The Ember s Health, Damage, Ignite Attack Strength, Critical Chance, Interrupt Strength, Interrupt Defense, and Armor have been increased. FirestormThe rank progression of this spell has been re-designed. Additional ranks of Firestorm now provide a 5% increase in damage rather than an increase in Ignite Attack Strength. Firestorm surpasses its previous damage at rank 3. The Ignite Attack Strength of this spell has been reduced. The range of this spell has been increased to 10 meters. FlameshardsThe Flameshards spell has been re-worked. The number of shards fired is now fixed at 7, but multiple shards stack with each other. Individual shard damage has been decreased slightly to take damage stacking into account. Increased ranks in Flameshards now increases each shard s Ignite Attack Strength by 25%. The spells now has a cool-down time of 2 seconds. This spell s power cost has been decreased. The base Ignite Attack Strength of this spell has been increased by 25%. The range of this spell has been increased to 25 meters. The explosion delay of Flameshards has been decreased to 1 second. HellfireThis spell s casting time and initial power cost have been reduced significantly. Additional ranks now provide a slightly smaller decrease in power cost. This spell now has a cool-down time of 2 seconds. The damage and Ignite Attack Strength of this spell have been increased substantially. The range of Hellfire has been decreased to 25 meters. The targeting of this spell has been fixed. Spectral BoltThe rank progression of this spell has been adjusted. Spectral Bolt now provides an additional 25% Phase Attack Strength per rank. The initial Phase Attack Strength of Spectral Bolt has been slightly increased. The power cost of this spell has been decreased, and the Phase duration has been increased by 1 second. The cooldown of Spectral Bolt has been decreased to 1 second. The base Phase Attack Strength of this spell has been increased by 25%. Spectral LashThe damage of this spell has been increased by 35%. Spectral Lash MasteryThe damage of the explosion caused by this spell has been doubled. The rank bonus of this spell is now applied to the explosion effect properly. Lightning FieldThe damage of the Lightning Field has been increased substantially. The power cost of this skill has been decreased. This spell now has a cool-down time of 2 seconds. The rank bonus tooltip now properly displays a 15% instead increase in radius. The splash damage of the initial effect has been increased by an additional 17%. TempestThe casting time, power cost, and cool-down of Tempest have been decreased. The base damage of Tempest has been decreased. The strike frequency bonus per rank of Tempest has been decreased to 10% per rank. Each Tempest cloud now lasts for 15 seconds and has a range of 15 meters. The rank bonus of this spell now properly increases the frequency of lightning strikes. Arc LegionThe rank progression bonus of this spell has been changed. Additional ranks now increase the Shock Attack Strength and Shock Effect Damage of Arc Legion by 25%. The range of this spell has been fixed at 18 meters. The damage of this spell has been increased. DemonspineThe rank bonus of this spell has been slightly adjusted to a 25% increase in Stun Attack Strength per rank. The power cost of this spell has been decreased. The damage of this skill has been increased. The base Stun Attack Strength of Demonspine has been increased by 20%. BoneshardsThe rank bonus of this spell has been slightly adjusted to a 50% increase in Stun Attack Strength per rank. The damage of this spell has been increased by 60%. The cooldown of this skill has been decreased to 6 seconds. The base Stun Attack Strength of Boneshards has been increased by 25%. The power cost of this skill has been increased. SkullsplitterThe rank progression of this spell has been adjusted. Skullsplitter now begins with 12 fragments and gains 2 additional fragments per rank. Skullsplitter now explodes into a significantly more predictable nova pattern. The power cost and cool-down of this spell have been slightly decreased. Venomous SpiritThe damage of this spell has been increased and the power cost has been decreased. The Fear Attack Strength of this spell now scales properly with the caster s level and has been increased significantly. Additional ranks of Venomous Spirit no longer provide an increase in Fear Duration. The travel speed of the Venomous Spirit has been increased significantly. Venom ArmorSeveral bugs with which allowed the swarms created by Venom Armor to bypass its intended cool-down time have been fixed. The damage of each swarm created by this spell has been increased, and each swarm now lasts for a fixed amount of time on their target. The initial armor provided by this spell has been decreased, but the absolute bonus to armor per rank has been increased, reaching the previous maximum armor bonus at rank 10. SwarmThe rank progression of this spell has changed. Additional ranks in Swarm now increase the Poison Attack Strength and Poison Duration of Swarm by 20%. The cool-down of this spell is now fixed at 6 seconds. The power cost of this spell has been decreased significantly. Templar Aura of Power, Aura of Renewal, Aura of Defense, and Aura of Salvation have been rebalanced. Additionally, their skill rank progressions have been normalized to provide a 33% increase in effectiveness per skill level. Blademasters and Guardians will now see more return on investment in these auras. Aura of PowerThe power regeneration granted by Aura of Power has been decreased. At rank 10, Aura of Power grants 94% of the power it gave previously.AoP Rank10で以前の94％程度、つまり弱体化。 Blademaster Call of the ChosenThe Taunt and Fear Attack Strengths of this skill now properly scale with the Blademaster s level.Taunt/Fearスキルの強さが、キャラレベルに合うようにで調整された。 Guardian Aura of RenewalThe initial health regeneration granted by Aura of Renewal has been slightly decreased. By rank 10, this aura provides significantly more health regeneration than it did previously.以前と比べて、Rank1は弱体化、Rank10は強化。 Aura of DefenseThe armor bonus granted by Aura of Defense has been decreased.AoD弱体化(以前の半分くらい)。 Aura of SalvationThe initial elemental attack defense granted by Aura of Salvation has been slightly decreased. By rank 10, this aura provides significantly more elemental attack defense than it did previously.AoRと同じ。 Grand AuraThis skill now provides an equal percentage increase to the Guardian s Holy Aura radius at each rank, ending with the same total increase at rank 5 as it did previously.20/30/40/50/60 - 12/24/36/48/60 ChallengeThe Taunt Attack Strength of this skill now properly scales with the Guardian s level.Tauntの強さのベースが、キャラレベルに見合った強さになった。 DenounceThe Taunt Attack Strength of this skill now properly scales with the Guardian s level.Challengeと同じ。 Quests Certain quests that could not be completed after defeating Sydonai because Emmera was no longer accessible can now be turned in to a new NPC named Sammy. Items Unique items that were found before Patch 0.5 that are missing special attributes may now be rerolled for free. The process is as follows All mods must first be removed using a Delux De-Modificator. This is available once at no cost for qualifying items. Once all the mods are removed, insert the item into an Augmentrex 3000. Now click any of the three "Add Property" buttons to reroll the item attributes. All item attributes will be rerolled and the item balance will be up-to-date. If the item level was previously upgraded with the Nano Forge, the additional item levels will be added to the newly generated base level after the item reroll. This means that the new item level may not be the same. The Stun Defense granted by the Gyro Stabilizer has been increased. Health and Power injectors now show up in high level stations. Fire Extinguishers now give the appropriate Ignite Defense. Monsters Monsters with the Infested ability have had their damage reduced. Crafting The limit on number of times an item can be upgraded has been raised to 10. Upgrading an item takes 50% less resources. A new, rare salvaged material crafting material called Nanoshards are now required to upgrade items.Nanoshards can be obtained from any item, but the chance to salvage one is increased when disassembling rarer items. The number of Nanoshards required to upgrade an item increases each time the same item is upgraded. Fixes The mini-game now has a timer. This is partly a fix for characters at level 50 who have finished all the quests and get the quest icon and therefore cannot finish it. Fixed a bug where characters would not save when they killed 65,534 monsters in one session. Grappler no longer changes a character’s position in PvP. Fixed a rare bug where equipping the Cleanser and a shield can delete the shield. Fixed a rare bug where Templar could equip both the Cleanser and a shield. --- Special Subscriber Features Stonehenge is a new, non-linear adventuring area that can be accessed through a special portal in Templar Base. The quests and areas around Stonehenge scale in difficulty to challenge characters of any level. This is to allow players to return to this section of the world numerous times and complete the longer associated quests, missions, and raid areas. Stonehenge itself is a new hub that holds a larger number of players than most Underground Stations. There are new NPCs, new quests, and most importantly, new adventuring areas that are unlike anything within the confines of London. Quests A new series of non-linear quests introduce the area surrounding the great druidic monument of Stonehenge. The Caste Caves These mystic caves can be found in the wilderness areas outside of Stonehenge. Each caste of demon - Beast, Necro, Spectral, and Primus – has a powerful overlord that resides in these caves. The caves themselves are sealed by the essential aspect of their master’s caste. These caves cannot be entered until the essence of five (5) Champions of the matching demonic caste has been collected. Essence can be collected from any Champion, so adventuring above and below the streets of London may gain you the keys to unlocking these special areas. Once a character has gathered the required essence of a single Caste, they can either solo or lead a party into the caves and battle against the resident overlord. Not only are there great and special riches to be won, but the head of the caste overlord is also claimed. Once a character has collected the heads of the Beast, Necro, Spectral, and Primus overlords, the adventure continues. Moloch’s Lair A great and powerful Demon known as Moloch resides in the rough countryside surrounding Stonehenge, and only the worthy may enter his domain. Characters that have collected the heads of the Beast, Necro, Spectral, and Primus overlords can then make their way deep into the realms of Moloch, the Pit Baron. Moloch has very unique items that can only be won by defeating him in combat, so the journey to his defeat can be well worth the effort. His soul is eternal, however, so the process of opening his sanctum and destroying his corporeal form is a never-ending challenge. The Wild The other main area that lies outside of Stonehenge is known only as The Wild. The challenges here are far greater than anywhere else in or around London, requiring raiding parties to properly navigate them. The Wild is divided into three increasingly difficult sections that are balanced for parties of six, seven, and eight. This is regardless of the number of characters that enter The Wild, so while you could try to make your way slowly with a smaller group, the going will not be easy. Items There are new weapons and armor that can only be found in the areas surrounding Stonehenge. These new items have very different appearances from those found within London, so keep a sharp lookout for them. 13 new base weapon types divided amongst the Templar, Cabalist, and Hunters. Each faction also has two all-new Helmet types. Environments Apart from the settlement that has secreted itself at the Stonehenge triliths, there are numerous new areas to explore. Chief amongst these are the various Caste Caves and grand expanses and dark forests of The Wild. There are also new undergrounds and interiors to explore scattered throughout the countryside. Monsters The areas around Stonehenge also have spawned new Demons. The Winged Imps rain death down from the skies and swoop in to sever heads of those foolish enough to seek them out. Burning Fiends move amongst the underbrush and between the windswept trees. Moloch, the Pit Baron, also makes his fiery presence felt for the first time. Patch Notes Disclaimer While we make every effort to include all upcoming changes in our patch notes, please be aware that occasionally some changes are unintentionally omitted.
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